So you think you’re ready to publish your story? Or maybe
you’re not there yet. Maybe you’re just looking for an editor. Did you know
even editors like the manuscript as polished as possible? (Deep down, we’re all
lazy human beings…) Have you considered having a critique partner go over your
story?
What is a critique partner, you might ask? Well, they’re
usually fellow writers who can look at your story objectively. Not to be
confused with editors or beta readers (who look over more polished drafts and have fewer
responsibilities), critique partners have the mindset of a writer and are there
to help you improve the structure and logic of your story. Here are just a
couple of facts writers should know about critique partners, whether they’ve
had them before and need a reminder or in case they’re considering taking some
on.
1) Critique partners do not have an initial emotional connection to your story.
For many writers, their story is like their child. Critique
partners, usually other writers, are like teachers. If they don’t like one
element of the story, many writers may take it as a personal attack. Please
allow me to set something straight. Dear writer, your story is not a human being. You’re going to be
okay even if somebody doesn’t like it.
Instead of treating critiques like a personal attack on your
favorite pet, treat critiques like an editing exercise. Yes, it’s hard. No, I
don’t have it mastered. When I’ve been getting critiques on my story, I often
have to take a step back and remind myself it’s not a personal attack. It’s an
exercise to build and improve my story. Sure, I vent to one or two of my writer
friends if there’s a particular issue troubling me, but I can’t let it rule me.
Don’t let somebody’s critical comments rule you.
2) Critique partners don’t like to read first drafts.
Perhaps one of my favorite pieces of writing advice is to
write your first draft just for you. Keep it secret. Keep it safe. Hone your
story through at least one round of rewrites and edits. Then you can burn the
original if you want.
You get back what you put in. If you don’t put a lot of
effort into at least making your story readable, your critique partners aren’t going
to put a lot effort into commenting let alone reading.
3) Critiques are subjective.
Did you know, critique partners are human too? That means
their word is not always law. Take what you need, leave what you don’t.
It’s like any book review. Take your top books for example.
Maybe you gave it 5/5 stars, but you’ve seen a lot of 4/5-star and 3/5-star
reviews, maybe even some 2/5 stars. It’s even more difficult when such a review
comes from a friend or family member. How could they not obsess over the same
book you do!?
Remember, everybody has their own opinions, likes, and
dislikes. I don’t like romance, but that doesn’t mean all romance books are
poorly written. They’re just not my preference.
So if you receive comments about how your critique partners
didn’t like a certain element, it might
be the reader.
4) At least two critique partners are optimal.
Having more than two people look over your story can give
you some well-rounded commentary.
But…
5) More partners doesn’t always mean better.
Wait a second, didn’t I just claim at least two partners are good? True. But, if you have two or more people in a room, you’re going to have some disagreement. Try putting ten people in a room. Or twenty. Then ask them what they’re favorite color is and try to figure out why it’s not the same as yours.
6) Critique partners might even disagree with each other.
Because I live in Europe, it’s hard to find fellow writers
who speak English and have time to look over my stories. So I joined an online
critique group, Critique Circle, where you can get feedback on your story and
give feedback in return. And I was so excited for complete strangers to tell me
what they thought. Until they started contradicting one another.
One reader would enjoy a particular chapter, saying they
liked the description and the thought while another person would say they were
bored. Wait, what? How was I supposed to make a story better if one person was
happy with the chapter and another person was bored?
But such critiques were helpful. They taught me how to
improve my story even more, identifying the weak bits and building on the
strong ones.
I also learned that when two partners who tend to disagree
with each other actually agree that something needs work, I better listen!
7) In the end, it’s still your story they’re commenting on.
You can’t please everybody. While it’s important to consider
others’ opinions to build and improve your story, it’s still your story. No story is perfect. So you might as well write the story for you. After
all, who else is going to read it over and over again until they want to set it
on fire? If you enjoy your story, you’re less likely to do so.
Remember why you started writing your story. Keep the
essence if it’s important to you. Tell your
story. The world is waiting to read it!
Let’s chat! Has your story been reviewed by any critique
partners yet? How do you find them? Do you hunt them down in your local library
and bribe them with chocolate or do you find them lurking in the woods?
Looking for a critique partner for your story? Look no more!
Join a critique website or comment below if you want me to look over your story.
Check out my Treasured Books page for a list of books I consider
excellent. I look forward to hearing from you.
Write on!
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