I really like words. A lot. In fact, I enjoy writing so much
that I often have a hard time saying exactly what I mean in few words. Yes,
it’s achievable, but I find it much easier to write ALL MY THOUGHTS when I
should keep things short and simple. This has pros and cons. For one, writing
essays is (sometimes) easier. As is coming up with a novel. Because once I have
an idea, I already have 3 or more subplots and a character death or two already
planned out.
But there can be beauty in simplicity too.
Although I wrote my first novel at twelve, I didn’t get my
first story published until I was seventeen. And it was a piece of flash
fiction—less than 1,000 words. While I haven’t stopped writing novels, I went
on to publish two more flash fiction pieces before I decided to tackle editing
a novel.
I knew such a project would be more ambitious than any I had
attempted before. Sure, I had edited a novel before, back when I was fourteen,
but nothing ever became of the project aside from my learning experience. So it
was that I approached a 72,000-word story and decided to completely re-work it
until I was pleased or close to satisfied or ready to give up with frustration
because goodness, why can’t novels edit themselves?
During my multi-draft process, of rewriting and editing, and
receiving feedback from my beta readers and my editor, I learned a valuable
lesson. Editing what became a novel story really wasn’t that different from
editing a 1,000-word one. But what, you may ask, could editing flash fiction
and editing a novel possibly have in common?
1.
Flash
fiction and novels both have word limits.
Wait a minute. Aren’t novels SIGNIFICANTLY longer than short
stories? Yes, they are. But unless you’re writing
War and Peace or
The Lord of
the Rings, you’re going to face some restrictions on how many words your
novel can have. Too short, and you’re writing a novella. Too long, and your
story probably won’t be taken seriously by a publisher/literary agent.
Different novels will have different restrictions depending
on the genre. Young adult, for example, can be anywhere from 50,000-80,000
words. But since I like long books, I decided to add some things to my novel
and ended up with 90,000 words in draft 2.
That’s where my previous experience editing flash fiction
came in handy. I was already used to cutting words, paragraphs, and scenes
trying to get a short story below 1,000 words, so I used the same basic
principles with my novel. Basically, if it a sentence didn’t contribute to the
plot, I cut it. If a paragraph bored me, I cut it. If I questioned a scene’s
very necessity and worth, I cut it.
In the end, I managed to trim my bulky 90,000-word novel
down to a neat 79,765 words, just within the recommended limits for a YA novel.
2.
Flash
fiction and novels both have plot.
I should think this one is quite obvious. But just because
flash fiction is short doesn’t mean it doesn’t have the basic structure of a
novel. Although the inciting incident and the climax may not be nearly as drawn
out as in a novel, short stories still have them.
Personally, writing flash fiction pieces helped me most with
these two points. If I couldn’t figure out where to start the story right away,
I would write WAY over 1,000 words and have to scrap the entire story. But once
I figured out the perfect opening lines, the rest fell into place.
Except for the ending. Writing endings are easy. Writing
GOOD endings are the bane of my existence. But trying out different endings
over the course of multiple drafts was really helpful in writing flash fiction.
It helped me realize how much I struggle with them and how helpful it can be to
receive feedback on such plot points prior to submissions. I would not have
been able to write ANY good endings without the help of my friends.
3.
Writing
and editing flash fiction and novels both taught me that being a writer is a
TON of work.
And I mean a TON. Personally, I worked with a lot of drafts
in my novel. So many, I lost count, but I’d estimate close to five. That’s a 1)
rough draft, 2) a rewrite, 3) first round of feedback, 4) second round of
feedback, and 5) professional and final edits.
Actually, this is pretty decent, considering most of my
flash fiction stories underwent five to seven rounds of edits before they were
ready for publication. So five drafts over the period of several months felt
pretty good.
Of course, every writer is different, so the editing process
and time is bound to vary from writer to writer. But if you can’t handle the process
and effort of editing a 1,000-word story, editing a 50,000-or-more-word story
is probably not for you.
***
Basically, the main difference between editing a flash
fiction piece and editing a novel is time. Flash fiction can take a couple of
hours, maybe a day, but a novel can take weeks if not months.
So if you usually write novel-length projects, don’t be afraid
to try something different. Like a flash fiction piece. Or a couple blog posts.
All writing is a learning experience. And if you’ve completed a novel-length
story but haven’t edited it yet, what are you waiting for?
How many drafts does it usually take you to polish a story?
Have you ever considered writing something aside from your usual length? If you
have done so, what did you learn?
